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밤하늘을 좋아하는 그대에게 빈센트 반 고흐가 주고 받았던 서신들을 살펴보면, 그가 얼마나 ‘밤하늘의 별’에 매료되어 있었는지를 잘 알 수 있다. ‘캄캄한 어둠이지만 그조차도 색을 가지고 있는’ 밤의 풍경을 화폭에 담기 위하여. PROJECT 1 PROJECT 1 Artist's House Design Client : Visual Artist. Transforming an artist's work and expression techniques into 3-Dimensional sculptures PROJECT 1 Artist's House Client : Vincent van Gogh Starry Night Over the Rhone Design Concept - Light Reflection Van Gogh, who liked stars in the night sky that shone brightly behind a dark background, was fascinated by the "French city of Arles" among many night skies. In order to achieve the goal of Project 1 to build a building for architects with artists as architects, a concept model depicting stars colored in the night sky with light reflected in the background of the building through "light reflection" was presented. As much as he loved Arles' night sky, he worked hard to recreate the composition of Van Gogh's "Arles' Starry Night," which he drew while hanging from work. Process The site of the artist's house project was decided to be Jongno-gu, Seoul. Jongno-gu is an area where preservation of traditional culture is important because Gyeongbokgung Palace and Bukchon Hanok Village exist. Since Hanok is a wooden architecture, it has been reinterpreted the way each wood is combined with wood structures such as pillars, rafters, and bouillon. PROJECT 0.1.0 COMPLETE

About me INHA Univ, Department of Architecture, Sophomore. The Structure(Buildings) I designed is as follows. Project 0: Breaking Box / 4 Squares. Project 1: Artist's House. (Non BF Design) Project 2: Public Library. (BF Design) Project 3: Commercial Space. (BF & Structure) Favorite Designer: Peter Zumthor Sou Fujimoto Contact GILYOUNG KIM ytube8047@gmail.com Instagram: o_flrrrr Back to top

"The past that the present needs" ㄴ Subjective Exploration of Jongno YeoDamJae Jongno, YeoDamJae contact

"A spatial sense of touch that awakens silence" ㄴ Subjective Exploration of Mimesis Art Museum Mimesis Art Museum Purpose : Cultural and assembly Facilities Location : Paju, Munbalo 253 Design : Alvaro Siza ( Portugal ) Mimesis, the landscape of the gap According to architect Alvaro Siza, the "Mimesis Art Museum" was based on the cat's paws.

"Until blue moss grows on the shade of mine" ㄴ Subjective Exploration of Museum of Literature YDJ The stars and the wind are hazy again tonight "내 마음의 그늘 위로 푸른 이끼가 자랄 때까지" - An excerpt from Yun Dong-ju's preface poem ㄴ 윤동주 문학관 주관적 답사기 What is the poem? Poetry is recognition. Poetry is discovery. Poetry is to be seen When I suddenly saw a small stone distorted on a road that had passed countless times without even knowing it. Poetry begins there, and is found there. For example, when you feel sorry for a person who falls down after being caught by a pebble, poetry is used there. A "unfamiliar" stone in the usual place. the action of putting a stone story on a shelf after washing it clean. Poetry is also found in space. It's a space I thought was the background of my life When you enter the day with a wall or corner For example, when you realize that the mark on the wall was someone's sign Space is converted from everyday space to contemplative space. In conclusion, what poetry in space and space in poetry mean is storytelling. Through storytelling, physical space becomes one meaning "Poetry in That Space" is discovered. Storytelling 윤동주 시인이 자주 올라 별 헤는 밤, 자화상 같은 시를 썼다는 인왕산 터에서 건물의 스토리가 시작된다. 언덕으로 오르는 길가의 버려진 창고시설을 문학관으로 재탄생시키려는 계획으로 설계가 시작되었다. 건물의 초기 모습은 지금의 최종 모습과 많이 달랐다. 이는 설계 도중 지면 속에서 숨겨진 수도가압장(이하 우물)이 발견 되면서 설계 방향이 완전히 전환되었기 때문이다. 도면과 기록이 하나도 남아있지 않지만 계속 인왕산의 일부로 존재했던 우물. 우연히 빗물로 인한 산사태가 생겨 벽의 한쪽이 노출되었고 땅 속에 숨겨진 우물 두 개가 발견되었다. 어둡고 협소한 구멍을 통해서 들어간 그 곳은 깊고 긴 세월동안 땅속에 웅크리고 있었다. 오랫동안 고여있던 우물. 건축가는 한 우물의 천장을 모두 들어내어 어둡던 내부에 하늘을 들였다. 하나의 우물(열린 우물)에는 하늘이 담기도록, 다른 하나의 우물(닫힌 우물)에는 어둠이 담기도록 설계가 바뀐 것이다. 닫힌 우물에는 시인이 겪어왔던 고초와 그의 삶이 어둠으로 잠겨있고, 열린 우물에는 그럼에도 불구하고 하늘과 연결되어 오늘 밤에도 별과 바람이 스치운다 Circulation

"The calling of a place" ㄴ Subjective Exploration of SSM Museum Calling, 소명 (召命) : The call of God to do God's work To understand the prima facie showing of a place. To understand the duty and duty of heaven. That was the attitude I should have taken when I faced the place. Until now, the city had been expanded indiscriminately, and armed castles had dyed the ground black. When architecture that ignores all the various characteristics of a place enters, the place cannot emit the light it must express. The place where the black shadow hangs is too dark to remain in the corner of people's heads, and the place loses its own meaning. However, if architecture is properly placed on the ground, architecture gathers various attributes together and sends them to humans in a message. What I have to do is read and understand it. In this regard, I would like to introduce the Nishikomon Museum of History. Seosomun Shrine History Museum Purpose : Cultural and assembly Facilities (Museum) Location : Seoul, Jung -gu, Uijuro 2, 16-4 Design : Wu Jun Seung, Lee Gyu Sang, Yun Seung Hyun "An intersection outside Seosomun, a confined area" Back in time, this place is the execution site of the Joseon Dynasty and the holy place where Catholic persecution occurred. It was a place of resistance that was contrary to the violence of power and the narrowness of the times, but it was a place where historical values were overlooked and neglected. With such a time of suffering, opportunities to shine outside the world are created.The "Seosomun Museum of History" is now located. “Peace on Ground, Remembrance on Underground” In contrast to the surrounding high-rise buildings, the "Seosomun Museum of History" is laid low on a large site. Thanks to this, most of the greed and desires in the building seemed to be restrained and could concentrate on the original function of the building. It is unique that there is a park for rest on the ground and a museum for memorial service on the ground. This is probably because the wounds and memorials that occurred on the ground permeated under the ground. The biggest core of the building was the relationship between ground and underground, that is, ground and underground. According to architect Yoon Seung-hyun, "The top and bottom of the earth should be united together," adding, "Parks with terrestrial history and underground history museums based on them are inseparable, and we used the conversion of time into space flows." Therefore, most of the movement inside the building is not a staircase, but a ramp. To go down slowly to the deep underground. Circulation #1 SSM History Park It is a park that contains the "historicality" of the saddest gate in Seoul, Seosomun Gate. While the majority of the surrounding buildings are high-rise buildings in the internationalist style, Seosomun Historical Park is laid calmly and low. The first ramp The first ramp connecting Nishikomon Historical Park and Light Square. The left side of the slope is finished with bricks and the right side with exposed concrete. Right-hand exposed Concrete When you think of exposed concrete, it's different from the image that comes to mind, EXPOSED CONCRETE HAVING VERTICAL LINE. It seems that it cannot be made with a general mold, so I looked into it later and found out that it used a civil engineering mold instead of a general mold, and later grated it on a grinder to make a vertical line. The longer the slope is passed, the longer the length of the vertical line becomes. deepen. Isn't this vertical line a device that connects the existence of the ground and the underground? #2 A light square As the name suggests, the first square, the Light Square, is located in the position where light comes in best. Since it is the first square in the museum, it shows the character of the museum well. #3 Chaple Space A shrine commemorating the statue of a saint The second ramp INCLINED PATH FOR ENTRY INTO CONSOLATION HOLE It was a space where the feeling of shrinking was maximized. I miss the light because I've been underground for a long time. He would soon leave the door following a faint light. #4 A sky square When you exit the door, the ceiling suddenly opens and a square with the sky in it appears. You will naturally look up to the overwhelming scale. The blue sky they saw just before the execution. When you bow again, you encounter a channel of light that divides the floor into two. Next to the channel is a timber object meaning martyrs. I start thinking about objects, channels, and relationships with me. Walk along the channel to reach the starting point of light, the Consolation Hall. I can finally understand. Light came down vertically as if it meant absolute existence, and flowed horizontally along the channel as it approached the land where humans lived. To comfort their pain. #5 Consolation Hall Light coming down vertically from above and a space characterized by horizontally flowing light Drawing Drawing 1

0 Develop inspiration Design Purpose "An architect should be careful in every line he draws" If you draw a line, the elevation line, and if you draw two identical lines, the wall is built. And the thickness of the line determines whether the wall is an inner wall or a bearing wall. The shape of the building changes greatly depending on how you draw the line. Through this project, I was able to learn to create a different sense of space depending on how each line meets and what kind of relationship it forms during the breaking process. The architect's inspiration was a project that showed how it happened. Process STEP 1 : 15cm X 15cm X 30cm BOX STEP 2 : Breaking STEP 3 : Reassemble pieces STEP 4 : Arranging Space & Movements STORY BOARD 1656-4 Hagwi 2-ri, Aewol-eup, Jeju-si, Hagwi Port, Jeju Special Self-Governing Province, was virtualized as an actual site Unrealistic but comprehensive spatial experience by ignoring structural design Project '0' Finished

"Until blue moss grows on the shade of mine" ㄴ Subjective Exploration of Museum of Literature YDJ The stars and the wind are hazy again tonight "내 마음의 그늘 위로 푸른 이끼가 자랄 때까지" - An excerpt from Yun Dong-ju's preface poem ㄴ 윤동주 문학관 주관적 답사기 What is the poem? Poetry is recognition. Poetry is discovery. Poetry is to be seen When I suddenly saw a small stone distorted on a road that had passed countless times without even knowing it. Poetry begins there, and is found there. For example, when you feel sorry for a person who falls down after being caught by a pebble, poetry is used there. A "unfamiliar" stone in the usual place. the action of putting a stone story on a shelf after washing it clean. Poetry is also found in space. It's a space I thought was the background of my life When you enter the day with a wall or corner For example, when you realize that the mark on the wall was someone's sign Space is converted from everyday space to contemplative space. In conclusion, what poetry in space and space in poetry mean is storytelling. Through storytelling, physical space becomes one meaning "Poetry in That Space" is discovered. Storytelling 윤동주 시인이 자주 올라 별 헤는 밤, 자화상 같은 시를 썼다는 인왕산 터에서 건물의 스토리가 시작된다. 언덕으로 오르는 길가의 버려진 창고시설을 문학관으로 재탄생시키려는 계획으로 설계가 시작되었다. 건물의 초기 모습은 지금의 최종 모습과 많이 달랐다. 이는 설계 도중 지면 속에서 숨겨진 수도가압장(이하 우물)이 발견 되면서 설계 방향이 완전히 전환되었기 때문이다. 도면과 기록이 하나도 남아있지 않지만 계속 인왕산의 일부로 존재했던 우물. 우연히 빗물로 인한 산사태가 생겨 벽의 한쪽이 노출되었고 땅 속에 숨겨진 우물 두 개가 발견되었다. 어둡고 협소한 구멍을 통해서 들어간 그 곳은 깊고 긴 세월동안 땅속에 웅크리고 있었다. 오랫동안 고여있던 우물. 건축가는 한 우물의 천장을 모두 들어내어 어둡던 내부에 하늘을 들였다. 하나의 우물(열린 우물)에는 하늘이 담기도록, 다른 하나의 우물(닫힌 우물)에는 어둠이 담기도록 설계가 바뀐 것이다. 닫힌 우물에는 시인이 겪어왔던 고초와 그의 삶이 어둠으로 잠겨있고, 열린 우물에는 그럼에도 불구하고 하늘과 연결되어 오늘 밤에도 별과 바람이 스치운다 Circulation

Gil0 0Bang is an Architectural Portfolio Website. G 0 LIST Exploration I share the experience of reading space Read More Project I've been working on four projects for two years in architecture Read More Drawing I'm going to show you some of the drawings that I usually draw Read More It's me About Kim Gil-Young, an architect student Read More

"Less is More" Robert Browning (1812~1889) Mies van der Rohe (1886~1969) When I am asked what I believe in, I say that I believe in Architecture. Archtecture is the mother of the arts. I like to believe that Architecture connects the present with the past and the tangible with the intangible. 내가 무엇을 믿느냐는 질문을 받았을 때, 나는 건축을 믿는다고 말한다. 건축은 예술의 어머니다. 나는 건축이 현재를 과거와 연결하고 유형 및 무형의 것을 연결한다고 믿고 싶다. - Richard Meier (1934 ~ Present) Project 1.3.0 Exploring the Various Urban/Architectural Issues and Characteristics of Commercial Space a. Commercial space + design using slopes based on the social and cultural understanding of the land and the understanding of the urban context b. Concepts of External Space and Internal Space in Commercial Space c. An Exploration of the Boundary between the Storefront and the Street and the sidewalk d. Conceptual representation of commercial space in facade e. Explore pedestrian movements from sidewalks to shops f. Exploring public spaces that can operate inside commercial spaces and at the urban level by setting cross-sectional spaces connecting sidewalks and interior and planning street-scapes formed by roadside elevation g. Street identity incorporating urban design elements such as furniture, signboards, typography, lighting, etc h. Cultivation of land development capabilities including external spaces such as cutting and filling plans, access road plans, rain/drain plans, and landscaping plans considering the safety and economic feasibility of slopes i. Program establishment based on the analysis of the transformation process of urban space and the current humanities context (psychological and cultural) SITE Analysis SITE : 683-134 Hannam-dong, Yongsan-gu, Seoul, Republic of Korea Radius : 0.5 km There is still a real need for good quality architecture, not paper architecture, but the real stuff Personal Contour Model Program : Rhinoceros 7 with Grasshopper Perspective View Top View Rhinoceros 7 Grasshopper : Algorithm Plan SECTION 1 - 2 ELEVATION FLOOR PLAN [1F - 4F]

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